Champagner für die Augen - Gift für den Rest

A spirit of optimism, structural change, emancipation: by showing excerpts from his films such as LIEBE, SO SCHÖN WIEBE (1971),SYLVIE (1973),IDOLE (1976) and AMORE (1978),Klaus Lemke tells his story of the decade, now half a century ago, that was so formative for Munich, with sentences such as: "Back then, we all thought life was eating out of our hands, then in the '80s we became fodder ourselves."